Ablaze (With Destruction and Abundance)

Ablaze (With Destruction and Abundance) depicts ochre-tinted maple leaves nailed to wood planks that have been strengthened through a traditional Japanese charring process known as the Yakisugi method. The burned boards and maple leaves allude to transitional states, both benign and seasonal, and the more destructive forces of increasing wildfire activity. The embedded relationship between preservation and destruction as it relates to the Anthropocene brings our paradoxical tendencies as a species into full relief. The image is activated through original text by the artist, making explicit the process of grieving a burning world. The interaction between the image and the text proposes an embrace of our ecological cracking, the necessity to witness, the urge to preserve, and the radical act of finding joy while existing in the cracks.

This CFAR billboard project is supported by the University of Oregon Department of Art’s Center for Art Research in conjunction with the exhibition series Embrace Fearlessly the Burning World organized by curators-in-residence Ashley Stull Meyers and Aurora Tang.